I'm sure I was dreaming. The weather was clear. The Harbour grew like the Sun as darkness covered Circular Key.
Somewhere, Harry Connick was preparing for the show. Doing whatever. He & the band warming to the one & a half hours chance to hit the zone.
The tickets a gift from a dear friend who knows my love of Big Band and perhaps in some way new this may be the last chance to see another of the greats.
Hopeless me sitting still at any concert. My routine is so geared towards the Night. Equipment... etc.. Gigs. To actually go to a show is a big one.
Our seats were above stage right box b. A direct line of sight to the show.
Lights up. Band wanders on and of course Harry, relaxed & focused. A quiet thank-you and into that mystery of what will be. I love his style of piano playing. Percussive. An animal. Untamed after years of trainers & Teachers hands. Sound wise, the piano sounded excellent. Still, the acoustics in the Main Hall remain another entity and the place takes on a Boxed Sound. More slap & reverb as walls reflect etc. Connick made brief mention of this. Let it go and got on with the music.
The show was dynamic and carefully slung together. Some of the finest musicians on the planet, blowing in front of you can be life affirming. Lift you to another place. As that's where you tend to go as a musician. That place where every day living, pain especially, dissipate as the Brain starts pumping extreme amounts of adrenaline into your system. To level you out, in come the Endorphins. Allowing you to utilise the energy and allow your body to extend further. For Drummers in particular these Chemicals can be a nightmare. A tempo can become a horse race as the body naturally responds unless disciplined. My way of gauging this was to watch myself in my mind. As if to step away for a bit and let the body relax. Everything then moves into another zone. I imagine it's like the pain threshold all sports people, especially long distance runners are adept at channelling this pain until they hit the other side. Earlier I mentioned that prior to the Encore, Harry started to find that other place in his character. The acerbic wit and my intuition tells me a chance for him to get a little closer to people. Thoughts popped in and out. Commenting as he strolled across stage on how happy he was with his new hair gel. A throw away and of course you like the guy even more.
The voice I'd only heard on cd. Live, it sounded better. Phrasing is punctuated with bops, call outs. Anything that allows Harry the chance to get further out and into the Music. The Band are so tight. I mean Tight as in blowing or strictly arranged parts. usually leading into an impro as the band had a chance to get rolling.
The man is gifted with so many traits. His humour comes in fits and cycles as the serious & ridiculous collide in his mind. His thoughts may have been spoken on many occasions. Yet you felt all was new and fresh. Each newly punctuated, re invented with some neurotic, self depreciating thought or gesture.
Most of the crowd wanted to party. Let that New Orleans Spirit take over for a while. I was with them. Unfortunately my foot tapping, supported by thousands of others was not appropriate for a lady sitting in front of me. I got the Shhhh treatment. I felt the Black cloud rising but ultimately I thought; "let her suffer." Poor thing, especially with that monstrous Road Smash of a Hair Style. Like the Tower Of Pizza, I wondered who or what lived inside. She just couldn't enjoy herself.
Harry? He really let's it out. Wants the interaction. The feedback and cheek that make each night something unique and special. As if he's waiting until the crowd warm and settle back.
Harry Connick plays it all. Generous and respectful to a band to kill for.
Talking to the crowd about this and that and before the final number he let go. This is the part of HC I like to see. The sense of the ridiculous is maintained. His sense of self, well in place as he "jutht goeth thow Craaazy". A sense of.. hey?! I'm just getting up... come on , let's party. A couple of People were leaving as he spoke, left of stage. A classic remark and he was in Stand Up Mode. He may well have been exhausted, yet I felt this guy could go all night.
The Band shone. Dynamically beautiful with a Horn section, which at times reminded me of the Late Great Buddy Rich_ Big Band. The driving power of a Big-band is it's Dynamics. The punches of Brass & Rhythm. The pure force and articulation.
The Musicians, like all good players, all had a character which HC spot lighted on occasions.
THE BAND MEMBERS.
HARRY CONNICK, JR.... piano, vocals
NED GOOLD.... alto saxophone.
JERRY WELDON.... tenor saxophone
DAVE SCHUMACHER.... baritone saxophone
ROGER INGRAM.... trumpet
BIJORN WATSON.... trumpet
MARK BRAUD.... trumpet
JEFF BUSH.... trombone
DION TUCKER.... trombone
JOE BARATI.... bass trombone
NEIL CAINE.... bass
ARTHUR LATIN.... drums and the wonderful LUCIEN BARBARIN.... trombone & percussion. Plus a feature spot. Some great dancing and a beautiful voice.
What a night (See Pics) and as I thought, just the inspiration I needed to get my act together and get this Studio where i want it. Get on with the Music.
Thanks Harry & such a Band.
Of course thanks to Michael Coppel and Harry Connic's Manager: Anne Marie Wilkins for bringing the show to town.
Cheers to all,
Iain
PS: Not forgetting all the Crew..